Vitra
Eames Plastic Side Chair Sedia
PSCC
Price starting from € 675,00*
*Price valid for the PSCC version with shell in plastic – swivel base in glossy aluminium with castors - without any upholstery (cod. 440 335 00).
The Eames Plastic Chair DSR is part of the collection of the same name designed by Charles and Ray Eames, initially distributed by the Herman Miller company in America and later spread to Europe thanks to the Vitra company. Among the different models on the market, the DSR differs in that it combines the shell of the chair with the famous base at the Eiffel Tower. The result is an elegant and smudge-free design, a child of our time also thanks to the renewed measures: more suited to modern generations and with green materials capable of improving their environmental impact. Among the different variants we mention the DSX and the PSCC, with or without cushion depending on the comfort required.
W.46,5 x D.55 x H.88,5 - 76 cm
Adjustable Seat Height 36 – 48,5 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
To discover the full range of services available, visit our delivery page.
Suggested versions (3)
DSX
Eames Plastic Side Chair SediaPrice starting from
€ 295,00
DSR
Eames Plastic Side ChairPrice starting from
€ 335,00
PSCC
Eames Plastic Side Chair SediaPrice starting from
€ 675,00
Personalize your request
Upholstery Typology
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Shell Colours
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The colors displayed, for technical reasons, are indicative and may differ from the actual finish. The price may vary in relation to the category / finish chosen. Contact us to receive a personalized quotation.
03 Poppy Red
04 White
12 Black
23 Ice Grey
24 Light Grey
41 Pale Rose
83 Sea Blue
03 Poppy Red04 White12 Black23 Ice Grey24 Light Grey41 Pale Rose83 Sea BlueUpholstery (Optional)
Select
The colors displayed, for technical reasons, are indicative and may differ from the actual finish. The price may vary in relation to the category / finish chosen. Contact us to receive a personalized quotation.
Cat. F60 Hopsak
16 Giallo / Avorio
17 Nude / Avorio
20 Verde / Avorio
25 Blu Marino / Avorio
68 Rosa / Rosso Papavero
70 Verde Prato / Bosco
71 Giallo / Verde Tiglio
74 Blu Scuro / Avorio
82 Blu Ghiaccio / Marrone Palude
83 Blu Avorio
76 Castagna / Marrone Palude
84 Blu / Marrone Palude
22 Blu Marino / Grigio Scuro
66 Nero
16 Giallo / Avorio17 Nude / Avorio20 Verde / Avorio25 Blu Marino / Avorio68 Rosa / Rosso Papavero70 Verde Prato / Bosco71 Giallo / Verde Tiglio74 Blu Scuro / Avorio82 Blu Ghiaccio / Marrone Palude83 Blu Avorio76 Castagna / Marrone Palude84 Blu / Marrone Palude22 Blu Marino / Grigio Scuro66 Nero
Swiss by birth, Vitra is a unique company in many ways. Unique in its home collections, light and colorful; unique in its office furnishings, which combine in a masterful implementation design and ergonomics; unique for the designer parterre that enriches its catalog. Among prestigious historical re-enactments and fruitful collaborations, Vitra has always had the ability to relive the past and project to the future. However, Vitra is unique above all for Rolf Fehlbaum's corporate address, where the company transcends the business to fulfill wider social and cultural functions: the creation of a unique project such as Vitra Campus and the annexed Vitra Design Museum is an example.Read more
Designed by
Charles & Ray Eames
Charles (1907-1978) and Ray (1912-1988) Eames were the most important American designers of the 20th century. Couple in work and in life, they met at the Cranbrook Academy of Art directed by Eliel Saarinen. And it was with Eero Saarinen, son of Eliel and his close friend, that the young Charles took his first steps in the world of design, while Ray - trained as a painter - took care of the graphic presentation of their installations. Multifaceted talents, they also dealt with architecture (the Eames House in Los Angeles, which they designed and where they lived all their lives, is now considered the emblem of the "American home"), photography and cinema. However, it is their furnishings, with their perfect and vaguely organic shapes, that ensure them a place in history. Their creations, pioneering in the use of materials such as fiberglass or curved plywood, were already the protagonists of an exhibition at MoMA in 1946, following which they began to be produced by Herman Miller in the United States. In Europe, the Eames' creations were brought by ICF De Padova, which ceased production in the 1970s, and by Vitra, for which they still remain great bestsellers.Read more