Tato
Arenzano Floor Lamp
Tre Fiamme
A lamp with a simple and functional design, which finds inspiration from the creative genius of Ignazio Gardella and reaches the present day thanks to the production of Tato, a high-end brand in the production of furniture. The original idea was born in 1956 in the Ligurian seaside resort and consists of a slender body in different metal finishes configured in the upper part in a practical handle that makes it easy to move and place this lamp in different environments. The lampshade is made of Murano glass, worked so as to diffuse a soft and pleasant light into the surrounding space, which does not harm the sight in any way. Arenzano is available in different sizes to better fit into large or smaller contexts.
W.57 x D.57 x H.151 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
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Suggested versions (2)
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Shade
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White Satin Glass
Glossy Green Glass
Glossy Green Glass
Base
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Black Marquina Marble
Carrara Marble
Carrara Marble
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Brass
Chromed
Satin Nickel
Bronze
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Satin Nickel
Bronze
Tato is a company specialized in the production of high-end furniture with an exquisitely essential and minimalist style. The functionality-oriented design and the choice to create pure shapes without unnecessary frills give it a Nordic character that goes well with the contemporary taste of "furnishing more with less". Among Tato's numerous creations it is right to mention lamps and living room furniture available in numerous possibilities of bookcases, seats and tables. Equally interesting is the range of lighting proposals, which range from table lamps to pendant lamps, without neglecting floor and wall lamps.Read more
Designed by
Ignazio Gardella
Ignazio Gardella (1905-1999) was one of the great Italian architects of the twentieth century. A versatile and impeccable professional, he has often played the role of liaison between field practice and academic theory, carried forward in almost thirty years of academic teaching at the IUAV in Venice. He began his career in the 1930s by inscribing himself in the current of Italian Rationalism, with iconic creations such as the anti-tubercular clinic in Alessandria. Gradually his design language becomes richer and is also linked to the experiences of Lombard neoclassicism, allowing him in the post-war period to give life to works such as the Olivetti canteen in Ivrea, the PAC in Milan (which he would later reconstruct exactly as it was in the 90, after it was destroyed in a mafia attack) or the Casa delle Zattere in Venice, his most celebrated but also the most discussed work. His contribution to the world of design passed through Azucena, which he founded in 1947 together with Luigi Caccia Dominioni and Corrado Corradi Dell'Acqua with the aim of putting their furniture into production. Some of his furnishings are now re-proposed by Molteni & C., MisuraEmme and Santa&Cole, while his lamps are re-edited by Tato Italia.
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