House of Finn Juhl
Chieftain Chair
Price starting from € 14.978,00*
*Price valid for the version with upholstery in leather cat. 2 - wooden frame (cod. FJ 4900).
The Chieftain armchair is considered the great cabinetmaking masterpiece of the renowned designer Finn Juhl. It exudes luxury and artisan refinement, tempered by an organic and curvilinear trend that have made it since its launch in 1949 an emblem of the new Danish Modernism. Its strongly lowered seat and wide armrests upholstered in leather are a clear invitation to relaxation and comfort and rest on a complex wooden structure (walnut or oak), richly worked. The backrest, in leather like the seat and the armrests, has a row of four small buttons in its center which enliven its line. Its shape is still very modern, so much so that it won the Danish Design Award in 2012.
W.100 x D.88 x H.92,5 cm
Seat Height 34,5 cm
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House of Finn Juhl is a company with ancient origins whose history begins in 1912 precisely with the figure of Finn Juhl, its greatest source of inspiration to whom it owes all its collections. After a brilliant course of study at the Danish Academy of Architecture, Fin Juhl made his debut in the world of interior design at the Cabinetmakers' Guild Exhibition with his Grasshopper chair, immediately placed at the center of attention for its shapes inspired by the animal world. In 1940 Finn Juhl still stands out for the Pelican Chair and the Pelican Table, two pieces destined to become design icons together with the Poet sofa and the Bone Chair, characteristic works of the sector destined to mark time and still dominate the scene today with own inimitable personalities.Read more
Designed by
Finn Juhl
Finn Juhl (1912-1989) is one of the greatest exponents of the Danish school of design. A cultured and refined figure, he was the great dandy of Scandinavian design of the golden years, with complex creations with organic shapes that deviated from the rationalism prevailing in those years. Characteristics which at the time perhaps precluded him from mass success in his native Denmark, where he was somewhat overshadowed by the more accessible creations of names such as Hans J. Wegner and Børge Mogensen, but which earned him an everlasting reputation as a "trend designer for connoisseurs”, more alive today than ever. Finn Juhl, an architect by training, considered himself a self-taught designer: he had in fact started designing furnishings for his home at the end of the 1930s, then having them made by the cabinetmaker Arne Vodder with whom he formed a strong partnership. The thin padding and complex curves of the wood of his creations (partly inspired by the contemporary sculptures of Hans Arp and Alexander Calder, next to which Juhl loved to display his armchairs) long made the mass production of his furniture difficult. The first to try were the Americans, a country in which Finn Juhl found great fame starting in the 1950s: his creations produced by Baker Furniture today reach dizzying prices on the vintage market. To date, the only official producer of his furnishings is House of Finn Juhl, a brand that has carried out a meticulous action of rediscovering and cataloging his works. As an architect Finn Juhl instead worked for eleven years in Vilhelm Lauritzen's studio, from 1934 to 1945, dealing mainly with interior architecture. He then founded his own studio in Copenhagen in 1945, with which he designed among other things the interior of the Trusteeship Council Chamber at the UN headquarters in New York.
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