Edra
Rose Chair
An armchair with an iconic design, capable of expressing a romantic ideal of design. Rose represents a rose-shaped velvet structure. The petals are the padding, shaped to create a comfortable support for the body. The realization is heavily based on manual skills, an essential element in every Edra furnishing element. Rose is available in different fabrics and coverings designed to enhance its shapes and emotions. Due to its peculiarity it adapts very well to private but also public contexts, placing itself as a focal point on which to attract attention.
W.90 x D.82 x H.80 cm
Seat Height 48 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
To discover the full range of services available, visit our delivery page.
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Edra, an eclectic Tuscan brand specialized in the manufacture of sofas and other upholstered furniture, is famous worldwide for the peculiar mix of imaginative flair and sophisticated elegance that characterizes its lounges. Contrary to the work of many other companies with eccentric and original products, Edra bases her work on an in-depth study of materials, which often lasts several years and in some cases also leads to the license of innovative technical solutions designed to obtain maximum comfort. This is the case of the exclusive padding in Gellyfoam®, an innovative polyurethane foam that makes the seat particularly welcoming.Read more
Designed by
Masanori Umeda
Masanori Umeda (1941-) is a Japanese designer famous for his ironic and excessive creations that have become true emblems of postmodernism. Graduated in 1962 from the Kuwusawa Design Institute in Tokyo, he then moved to Milan where he lived for many years. Here he began his career working in the studio of Achille and Pier Giacomo Castiglioni (from 1967 to 1969), and then worked in the 1970s as a consultant for Olivetti. In 1981 he was called by Ettore Sottsass to design for the first collection of the Memphis Milano collective, giving life to some of the most surprising creations of the group such as the Tawaraya bed-ring or the Ginza Robot storage unit. In the middle of the decade he decides to return to Tokyo to found the U-Metadesign studio but continues to maintain a strong link with Italy, creating, for example, for the Tuscan Edra a series of "floral chairs" conceived as a humorous rediscovery of values of nature against the excesses of consumerism.Read more