ClassiCon
Day Bed Armchair
Price starting from € 5.966,00*
*Price valid for the version in W.190 cm with frame in metal and upholstery in fabric cat. 1.
One of Eileen Gray's best-known design elements, the cornerstone of the style and later success of Classicon. Her Day Bed was born in 1925 as an accessory for home furnishings, usable both as a seat and as a support element in general in diversified spaces in the living area, dining room and more. No less important, it also performs the function of a real bed in situations where more agile and versatile comfort is required. In 2015 Classicon developed a table specially designed to complete the aesthetics of the Day Bed, an ideal complement for the use of finishes in strong agreement with each other.
W.190 x D.86 x H.60 cm
Seat Height H.43 cm
Available laso in W.200 x D.90 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
To discover the full range of services available, visit our delivery page.
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The German brand ClassiCon reveals from the name the two souls that move its production: philological flawless reissues of the great classics of modernism and contemporary creations with avaunt-garde design. ClassiCon furniture is not just furniture, but aspires to become a true collector's item, enhanced by the finest quality manual workmanship. The experience of ClassiCon in fact originates from the Vereinigte Werkstätten für Kunst im Handwerk in Munich, a fruitful workshop of applied arts and high craftsmanship active since the early twentieth century.Read more
Designed by
Eileen Gray
Eileen Gray (1878-1976) was one of the first female designers of the twentieth century and is considered one of the leading figures of Modernism of the 1920s and 1930s. She was Irish by birth, she studied painting and drawing in London and then moved to Paris in the early twentieth century. There she came into contact with the world of Japanese arts and learned to master lacquer, earning a living thanks to the creation of refined lacquered screens and decorations in Art Deco style. In the 1920s you came into contact with the Dutch avant-garde of De Stijl and launched into the creation of tubular steel furniture, even preceding Le Corbusier himself in the use in the home of what would later become the symbolic material of Bauhaus. And it was precisely on the impulse of Le Corbusier and Jean Badovici that she decided to devote herself personally to architecture, giving life to Villa E-1027, still considered today among the great masterpieces of Modernism. After the Second World War she retired into private life and ended up being almost forgotten until the 1970s, when critics finally recognized her furnishings as the role of great classics that still hold today. All the best of Eileen Gray's design is currently re-edited with great philological attention by the German brand ClassiCon.Read more